Good music from 2020

I used to be a huge fan of different lists. This one is not sorted, by alphabet, by better to (less better), or by any other principle. It’s just the music that especially got my attention and was released in 2020.

  • Oneohtrix Point Never – Magic Oneohtrix Point Never (Warp)
  • Planet Battagon – Trans-Neptunia (On The Corner)
  • The 1975 – Notes On A Conditional Form (Dirty Hit/Interscope)
  • Yves Tumor – Heaven to a Tortured Mind (Warp)
  • Nicolas Jaar – Cenizas (Other People)
  • Deerhoof – Future Teenage Cave Artists (Joyful Noise)
  • Ólafur Arnalds – some kind of peace (Mercury KX)
  • SAULT – Untitled (Forever Living Originals)
  • Kettel – Dwingeloo Life Extension (Kettel music)
  • Porridge Radio – Every Bad (Secretly Canadian)
  • Nils Frahm – Tripping with Nils Frahm (Erased Tapes)
  • Autechre – SIGN (Warp)
  • Autechre – PLUS (Warp)
  • Fontaines D.C. – A Hero’s Death (Partisan)

Tea: Japanese black: P&T Kyoto Red No 921

My Notes

2020/12/20

This is wakoucha, which literally translates as “red tea”. First time I’m tasting Japanese red (black) tea.

Astringency is low, the taste is very mild. I didn’t taste chocolate this time, but the earthy-woody-yet-smooth taste won over my heart. This is nothing like Indian Assam or Ceylon tea, the “blackness” is there, but also something very different, much milder and with a different aroma.

From P&T Site:

A rolled japanese black tea

A special and rare treat, Japanese “red tea”, or Wakoucha, is a form of black tea produced in small quantities using native cultivars. Compared to more familiar black tea varieties, Wakoucha is mellow, with little astringency, and some malty sweetness with hints of chocolate.

TASTING NOTES
chocolate, fresh pine, malty

Quantity: 2 tsp / 250 ml
Temperature: 90° C / 195° F
Time:
1st infusion 60 sec.
2nd infusion 40 sec.
3rd infusion 90 sec.

BACKGROUND KNOWLEDGE
In a region famed for its green teas, its black teas are magnificent in their own right. As thus, we sought one of these teas for our latest limited harvest. Black teas hailing from this part of Japan are particularly recherché, a product of different cultivars than those found in India or China. These teas are known as Wakoucha. They typically maintain the earthy, sweet flair of black tea, while also retaining a delicate flavor with little astringency. The beauty of Wakoucha’s rolled leaves are second only to the resplendent amber colour they produce. To drink this tea is to experience hints of chocolate and woodyness with a sweet malty finish; exactly what you’d want from a high quality black tea.

Links

Common knowledge vs personal practice

It happens sometimes, that in our practice, we arrive at ‘a-ha’ moments. Such moments, upon our initial fascination, and upon closer inspection, turn out to be particularly resembling common wisdom. They often belong to the realm of general knowledge.

I have an example in my recent experience, while learning a useless trick of spinning a pen around my thumb. I started by trying a couple of times and failing. Watched gifs and videos and read tutorials. Next time, about ten minutes into practice, failure after failure — I still didn’t learn the trick. But something happened. I had my first aha moment: I realized that I was sending the pen on a wrong trajectory. It was far from the first signs of success. But that was a step ahead. That revelation would not have been possible without the initial practice. Multiple repetitions, without putting any thought into what I was doing, without losing the motivation — that was what got me to that first step on a learning ladder. I wasn’t succeeding, but I was learning something. That’s what kids are good at. And that’s, probably, something that we call “an inner child”, that center of curiosity and readiness to fail, without turning away from the task.

This particular “insight” that I had can be translated into a common-knowledge phrase “practice makes perfect.” So simple, so familiar. But it feels completely different when you arrive at this from your own experience, as something you felt rather than something you overheard. Something that you thought rather than something that you agreed with. And this is what helps us grow. Even if in a questionably useful task of pen spinning.

Approaches to writing

Have been reading a few things that seemingly have to promote my writing (or any project work, for that matter). Paul Graham writes specifically about writing usefully.

To write like he does means to follow the path of a very good essay writing. It is very demanding. Which is a worthy mindset. Holding yourself to very high standards, and only put something out there in the world that has been deemed useful, and of the best quality one is capable of. But to write well, one needs practice. To get practice, one needs to write a lot. While Graham’s view is that one only must write something that is useful, strong, and truthful. This is my constant struggle: writing something that is just “meh”, whatever comes, getting the words and the sentences and the paragraphs out, strength in numbers. Or writing scarcely and powerfully. As with everything, there needs to be a delicate balance. (Here, for example, this text is a perfect example of meh writing, something very vague.)

Getting the numbers out on the page or the screen is very meditative, and is more a practice with a focus on itself rather than the result. Essay writing is different, it’s purposeful. I write without focus, without purpose, for what it’s worth. If I want to do it differently, I need to find a theme, and pursue it strongly. However, my interest (at this moment) is all the curiosities of life, and my own observations.

I don’t know whether there can be a balance of scarce/strong and abundant. All I know is that to write better, it is necessary to write. At the level of greatness, of true writing mastery, there’s a marriage of strength and abundance. But first, one just needs to write.

The latest Seth Godin’s book (Is it his latest? It’s hard to tell, the guy writes a lot) is called “Practice”. It is, like all his books, a big and lengthy pat on the back. Whatever you set your mind on, do it. There will be, and is, an audience. There is the need for art, there is everything — just transform your motivation into practice of doing art and building your skill one step at a time, day by day.

On the inside, the ideas of Paul Graham and Seth Godin don’t contradict each other. They both talk about practice, and while one can doubt whether or not practice makes perfect, there’s certainty around practice building skills. And practice is what I’ll do.

I’d like to close this off with one of my favorite quotes, from J.D. Salinger’s “Franny and Zooey”:

“Act, Zachary Martin Glass, when and where you want to, since you feel you must, but do it with all your might.”